Full MIDI learn for hardware control of most parameters (VST only).Low CPU usage compared to other algorithmic reverb plug-ins, and far lower than the average convolution ‘verb.Unique visual controls designed for quick and easy programming.All standard reverb controls, including modulation rate and depth, attack, diffusion, and full control over the EQ and multipliers of the reverb tail.Three custom-designed algorithms built with modern production in mind:.
Quite simply, an impulse response can not do what Eos does, according to Audio Damage. The long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. How about a short, dense room sound for your drum buss? Not a problem. Want a traditional dark plate reverb? Eos can do that. Two different plate simulators and Audio Damage’s own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind.
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